Conserving Scotland’s Stained Glass

For a small country, Scotland has a remarkable wealth of ecclesiastical, institutional and domestic stained glass, and at one time many of its top glass artists were the equal to any in the world.

The late 19th and early 20th centuries represent a particularly dynamic period in the development of stained glass artistry in Scotland, and today work by artists such as Cottier, Walton and Mackintosh regularly command astonishing prices at auction.

However, this robust legacy is as fragile as the glass itself. In addition to problems of general decay and deterioration in existing windows, the sale of redundant churches, the dearth of skills training and issues of energy-efficiency retrofit raise many challenges for the future of Scotland’s historic stained glass.

To explore and debate these issues, Linda Cannon, glass artist and retired conservator, will deliver a series of talks and demonstrations in association with stained glass conservator/artist and PhD researcher, Vivienne Kelly. Linda and Vivienne will offer their unique insights into the development of Scotland’s stained glass traditions, the nation’s legendary glass artists, the historic use of decorative glass and its typical decay and deterioration problems, and the best ways to protect and preserve this valuable inheritance for future generations.

A networking lunch will provide you with the opportunity to continue discussions and explore the Engine Shed. Our full-day experience includes the opportunity to observe a practical demonstration of cutting and painting glass. You will then hear more about the restoration and conservation of stained glass and conservation materials.

There is also the option to book a ticket to visit the Church of the Holy Rude in Stirling to look at its stunning stained glass and enjoy a self led tour of this beautiful building.

For those unable to attend in person, a virtual option is available for the morning lectures.

Learning outcomes

You will:

1. Discover the variety of glass types, their physical characteristics and their use in Scotland’s traditional buildings
2. Recognise the key names in Scottish decorative glass production from the mid-19th to present
3. Understand typical decay, defects and weathering issues affecting decorative glass and how best to address these issues according to current standards of good conservation practice 4. Learn about the materials and processes used to protect and preserve important examples of stained and decorative glass

Speakers

• Linda Cannon, AMGP glass artist and conservator (retired)
• Vivienne Kelly, MA Glass artist, PhD researcher and conservator